The Diminishing Paradise: Changing Literary Perceptions of Australia, 

Sydney: Angus and Robertson, 1984.

Toward New Holland, edited by Ross Gibson

Sydney: Power Publications, 1986.

South Pacific, edited by Ross Gibson, 

Sydney: Australian Bicentennial Authority and Photofile, 1988.

South of the West: Postcolonialism and the Narrative Construction of Australia

Bloomington: Indiana University Press, 1992.

The Bond Store Tales, Sydney: Museum of Sydney and HHT Publications, 1996.

Exchanges: Cross-cultural Encounters in Australia and the Pacific, edited by Ross Gibson, 

Sydney: Museum of Sydney and HHT Publications, 1996.

Seven Versions of an Australian Badland, 

Brisbane: UQP, 2002.  

Remembrance + The Moving Image, edited by Ross Gibson, 

Melbourne: ACMI Publications, 2003.

Interaction: Systems, Practice and Theory, edited by Ernest Edmonds and Ross Gibson, 

Sydney: Creativity & Cognition, 2004.

New Beginnings; classic paintings from the Corrigan Collection of 21st Century Aboriginal art, by Emily McCulloch with Ross Gibson, 

Melbourne: McCulloch and McCulloch Australian Books,  2008    

The Summer Exercises, 

Perth: UWA Press with Historic Houses Trust, 2008.

VO1CE: vocal aesthetics in digital arts and media, edited by Norie Neumark, Ross Gibson and Theo van Leeuwen,

Cambridge (Mass.): MIT Press, 2010.

26 Views of the Starburst World:  William Dawes at Sydney Cove 1788 - 1791, 

Perth: UWAP, 2012. 

By-Roads and Hidden Treasures: mapping cultural assets in regional Australia, edited by Paul Ashton, Chris Gibson and Ross Gibson, 

Perth: UWAP, 2015.

Stone Grown Cold  (poetry) 

Melbourne: Cordite Books, 2015.

Changescapes: complexity, mutability, aesthetics, 

Perth: UWAP, 2015.

Memoryscopes: remnants, forensics, aesthetics, 

Perth: UWAP, 2015.

The Criminal Re-Register  (poetry), 

Perth: UWAP, 2017.

Basalt, 

Hobart: A Published Event, 2017.

reDACT  (poetry), 

Perth: UWAP, 2019.

Flooded Canyon (poetry), 

Perth: Upswell, 2023

1980s

'Customs and Excise' 

in Seduced and Abandoned: The Baudrillard Scene, edited by Andre Frankovits

Sydney: Stonemoss, 1984

'Remembering Art' 

in Sighting References: Ciphers, Systems and Codes in Recent Australian Visual Art, edited by Gary Sangster

Artspace: Sydney, 1987.

'THIS PRISON THIS LANGUAGE: Thomas Watling’s Letters from an Exile'

in Island in the Stream: Myths of Place in Australian Culture, edited by Paul Foss

Sydney: Pluto Press, 1988.

'Formative Landscapes'

in Back of Beyond: Discovering Australian Film and Television, edited by Scott Murray

Sydney: Australian Film Commission, 1988.

'Brave? New? Worldly? – Innovation in the History of the Creative Development Fund'

in Visions of Independents, edited by Megan McMurchy and Jennifer Stott

Sydney: Australian Film Commission, 1988.

1990s

'Camera Natura: Landscape in Australian Feature Films'

in Australian Cultural Studies, edited by John Frow and Meaghan Morris

Sydney: Allen & Unwin, 1993.

'I could not see as much as I desired'

in Pirating the Pacific, edited by Ann Stephen

Sydney: Powerhouse Museum of Applied Arts and Sciences, 1993.

‘Enchanted Country’

in The Culture of Landscape Architecture, edited by Harriet Edquist and Vanessa Bird

Melbourne: Edge Publishing, 1994.

‘Ocean Settlement’ 

in Exchanges: Cross-Cultural Encounters in Australia and the Pacific, edited by Ross Gibson

Sydney: MOS Publications, 1996.

‘Enchanted Experience’ 

in Screening the Past: Film and the Representation of History, edited by Tony Barta

London: Praeger, 1998. 

‘A History of Quiet Suspicion’ 

in Quicksands: Foundational Histories in Australia and Aotearoa, edited by Nicholas Thomas, Klaus Neumann and Hilary Ericksen

Sydney: UNSW Press, 1999.

‘Acting and Breathing’ 

in Falling for You: essays on cinema and performance, edited by Lesley Stern and George Kouvaris 

Sydney: Power Publications, 1999. 

‘The Colour Clavecin’ 

in Photo Files: an Australian Photography Reader, edited by Blair French

Sydney: Power Publications, 1999.

2000s 

'The Witness Engine’ 

in Value Added Goods: Essays on Contemporary Photography, Art and Ideas, edited by Stuart Koop

Melbourne: CCP, 2002.

‘Remembrance + Realisation’, 

in Remembrance + The Moving Image, edited by Ross Gibson

Melbourne: Australian Centre for the Moving Image, 2003.

‘The Time Will Come When …’ 

in Future Cinema: the cinematic imaginary after film, edited bt Jeffrey Shaw and Peter Weibel

Cambridge (Mass.); MIT Press, 2003.

‘The Moving Image – Quickness’

in Innovation in Australian Arts: fresh challenges for the tertiary sector, edited by Rod Wissler, Brad Haseman, Sue-Anne Wallace and Michael Keane

Sydney: PostPressed, 2004.

‘The Future of Art’ 

in Anthology of Art, edited by Jochen Gerz 

Koln: DuMont Verlag, 2004.

‘Attunement and Agility’

in Empires, Ruins + Networks, edited by Scott McQuire and Nikos Papastergiadis

Melbourne: Melbourne University Press, 2005.

‘Exhibiting: Wonders of the world on show’

in Yesterday's Tomorrows: The Powerhouse Museum and Its Precursors 1880 – 2005, edited by Graeme Davison and Kimberley Webber

Sydney: UNSW Press, 2005.

‘This Prison, This Language’ 

in Radical Revisionism: An anthology of writings on Australian Art, edited by Rex Butler

Brisbane: Institute of Modern Art Publishing, 2005.

‘Landscape/Infrastructure’ 

in The Mesh Book, edited by Julian Raxworthy and Jessica Blood 

Melbourne: RMIT Press, 2005.

‘Aesthetic Politics: How Political Art Works Best’

The 5th Asia-Pacific Triennal of Contemporary Art, edited by Lynne Seear & Sahunya Raffel

Brisbane: Queensland Art Gallery, 2006.

‘Spirit House’

in South Pacific Museums: Experiments in Culture, edited by Chris Healy & Andrea Witcomb

Melbourne: Monash University ePress, 2006.

‘Bystander: a responsive, immersive “spirit world” environment for multiple users’, by Kate Richards, Ross Gibson, and Lian Loke 

in Responsive Architecture Group, Responsive Architecture, 

Toronto: Riverside Architectural Press, 2006.

‘Skerrick Scenes’ 

in Sharing Spaces: Indigenous and Non-Indigenous Responses to Story, Country and Rights, edited by Gus Worby and Lester-Irabinna Rigney

Perth: API Network Publications, 2006.

‘The Imagining’ 

in New Beginnings Classic Paintings from the Corrigan Collection of 21st Century Aboriginal Art, edited by Emily McCulloch Childs with Ross Gibson

Melbourne: McCulloch & McCulloch Australian Art Books, 2008.

‘Remembering a Future for Landscape in Australia’

in Figuring Landscapes, edited by Catherine Ewes and Stephen Ball

London: Arts England and Tate Modern, 2008.

2010s 

‘Carbon and Silicon’ 

in VOICE: vocal aesthetics in digital arts and media, edited by Norie Neumark, Ross Gibson and Theo van Leeuwen, 

Cambridge (Mass.): MIT Press, 2010.

"Patyegarang and William Dawes: the Space of Imagination" 

in Making Settler Colonial Space: Perspectives on Race, Place and Identity edited by Tracey Banivanua-Mar and Penelope Edmonds, 

London: Palgrave Macmillan, 2010.

'Pulse Country'  

in Designing Place: An Archaeology of the Western District, edited by Lisa Byrne, Harriet Edquist and Laurene Vaughan,  

Melbourne: Melbourne Books, 2010.

'Changescapes'  

in Halfway house : the poetics of Australian spaces, edited by Jennifer Rutherford & Barbara Holloway.  

Crawley, W.A.: UWA Pubishing, 2010.

‘Searching for a Place in the World’ 

in The Place of Landscape: Concepts, Contexts, Studies, edited by Jeff Malpas, 

Cambridge (Mass.): MIT Press, 2011. 

'Complex Dynamic Disciplines' 

in Taking Stock: the Humanities in Australia, edited by Mark Finnane and Ian Donaldson, 

Perth: UWAP, 2012.

'Motility' 

in Here Art Grows on Trees: Simryn Gill, edited by Catherine de Zegher, 

Berlin: MER Kunsthalle, 2013.

'1944: Politics and Policing' 

in Telling Stories:  Australian Life and Literature 1935 – 2012, edited by Tanya Dalziel and Paul Genoni, 

Melbourne: Monash University Publishing, 2013.

'Aqueous Aesthetics: an art history of change', 

Special Issue Booklet (9000 words) accompanying the Annual Gordon H Brown Invitational Public Lecture. 

Wellington: Victoria University of Wellington Press, 2013. 

'Deep Water Time' 

in Cai Guo-Qiang: Falling Back to Earth, edited by Russell Storer, 

Brisbane: QAG Publishing, 2014

‘Self extraction’ 

in Creative Manoeuvres: Writing, Making, Being, edited by Shane Strange, Paul Hetherington and Jen Webb 

Newcastle-Upon-Tyne: Cambridge Scholars Publishing, 2014.

'Shifting Ground' 

in Camouflage Cultures: beyond the art of disappearance, edited by Ann Elias, Ross Harley & Nick Tsoutas 

Sydney: University of Sydney Press, 2015.

'The Pulse in the Past' 

in Performing Digital: multiple perspectives on a living archive, edited by David Carlin and Laurene Vaughan, 

London: Ashgate, 2015.

‘This Lively World' 

in Jonathan Jones: barrangal dyara (skin and bones), edited by Genevieve O’Callaghan, 

London: Thames & Hudson, 2016.

‘A Feeling for the Past: Experimental Histories’ 

in Once Upon a Time: Australian Writers on Using the Past edited by Paul Ashton, Anna Clark & Robert Crawford

North Melbourne, Victoria: Australian Scholarly Publishing, 2016.

‘The Place and Time of Zerox Dreamflesh’ 

in LOCKJAW (re-issue)

Melbourne: Telephone Publishing & Surpllus Books, 2016 (ISBN 978-0-992487-1-3).

'The Cognitive Two-step' 

in Screen Production Research: creative practice as a mode of enquiry, edited by Craig Batty and Susan Kerrigan, 

London: Palgrave Macmillan, 2017

'Bumpkin Calculus' 

in Anri Sala: the last resort, edited by Genevieve O’Callaghan, 

Sydney: Kaldor Public Arts, 2017.

Three ‘Word Cloud Poems’ 

in Remembering the Myall Creek Massacre, edited by Jane Lydon and Lyndall Ryan, 

Sydney: NewSouth, 2018.

'The Arc of Research’ 

in Associations: creative practice and research, edited by James Oliver, 

Melbourne: MUP, 2018.

'CHURN: cinema made sometime last night’ 

in A Companion to Australian Cinema, edited by Felicity Collins, Jane Landman and Susan Bye, 

Hoboken, NJ: Wiley Blackwell, 2019.

2020s

'The Multi-screen Array as Essay’ 

in Beyond the Essay Film: subjectivity, textuality, edited by Julia Vassilieva and Deane Williams, 

Amsterdam: Amsterdam University Press, 2020.

'The Living Archive’ 

in Making Art Public; Kaldor Public Art Projects, 1969 - 2019, edited by Genevieve O’Callaghan and Mark Gowing, 

Sydney: New South Books, 2020.

'Skeptical, Polyglot, Disaggregated: Creativity, Authorship, and Authority in the Australian Context'

in The Place and the Writer: International Intersections of Teacher Lore and Creative Writing Pedagogy, edited by Marshall Moore and Sam Meekings,

London: Bloomsbury Academic, 2021.

'Expert Not Specialist'

in The PhD at the End of the World: Provocations for the doctorate and a future contested, edited by Robyn Barnacle & Denise Cuthbert 

Berne: Springer, 2021.

1980s

'Camera Natura: Landscape in Australian Feature Films' 

in Framework (London) 22/23, 1983.

'au centre ... des reves en deroute' 

in Artpress Paris #74, 1983.

'apercus de la litterature contemporaine'

in Artpress Paris #74, 1983.

'Death's Contexts'

in On The Beach 3/4, 1984.

Co-translation (with Salvatore Mele) of 'Game with Vestiges: an Interview with Jean Baudrillard'

in On The Beach 3/4, 1984.

'With Respect'

in On The Beach 6, 1984.

Co-translation (with Meaghan Morris) of 'Answering the Question: What is the Post-Modern' by Jean-Francois Lyotard, 

in ZX (Sydney), Winter, 1984.

'After Futur*Fall', 

in Art & Text 16, 1984.

'Beyond the Compass of Words: Edgar Allan Poe, the South Seas and a manuscript found in a bottle'

 in On The Beach 7/8, 1985.

'Photography and the Cinematic: An Interview with Ross Gibson'

in Photofile, Winter, 1985.

'New Landscapes: Photographs from Two Continents'

in Photofile, Spring, 1985.

'Yondering: A Reading of MAD MAX Beyond Thunderdome' 

in Art & Text 19, 1985.

'Using Master Pieces'

in Photofile, Winter, 1986.

'The Middle Distance', 

in Art-Network, July-October, 1986.

'Paranoid Critical Methods'

in Art & Text, 26, September - November 1987.

1984 - 92: regular reviews for Filmnews (Sydney).

1990s

'On the Great Plains'

in Editions, September-October, 1991.

Response to The Civil War'

in Metro Magazine, (Melbourne), March, 1992.

'The Colour Clavecin: On Jacky Redgate'

in Photofile, No. 38, March 1993.

'Enchanted Country'

in World Literature Today, Vol. 67, No. 3, 1993.

'On The Culture of Nature'

in Cultural Studies, Vol. 8, No. 1, 1994.

'Square Bashing'

in Cinema Papers No. 100, August 1994.

'Ocean Settlement'

in Meanjin No. 4, 1994, 

'The Spirits of Interpretation'

in Filmnews,  March, 1995. 

'The Ether of Everyday Life'

in Metro, April 1995.

‘Mere Gesture’

in UTS Review, Vol. 1, No. 1, August 1995. 

'Restless, Abstract and Realist: the paintings of Debra Dawes'

in Art and Australia, Vol. 34 No. 2 (Summer 1996).

‘Models Of Comportment: Storytelling, Inquisition and the Research Performed by Bodies in Space’

in About Performance: Working Papers 3 Theatre as Performance 1997, Centre for Performance Studies, University of Sydney.

‘Pulp History’

in Meanjin Vol. 56, No. 2, 1997.

‘Earning Some Dreaming’

in Who's / Whose Dreaming? Occasional Papers from Museums Australia, Sydney: Museums Australia, 1997.

‘Everyday Life is System of manifestations …’

in antiTHESIS, Vol. 9, 1998

‘Cinemedia’s Platform 1.0’, 

in Art Monthly Australia, No. 124, October 1999.

‘Negative truth: A New Approach to Photographic Storytelling’

in Photofile, No. 58, 1999.

2000s

‘A Screen Culture Centre’

in ART Asia Pacific, Issue 27, 2000.

‘Media Ecology  -- Image Nation’

in Artlink, Vol. 20, No. 3, 2000.

‘Where the Darkness Loiters’

in History of Photography, Vol. 24, No. 3, 2000.

“Projected Backwards into the Future”

in Wide Angle, Vol. 21, No. 2, 2001.

‘Status: Dynamic’

in Architectural Review: Australia (Special issue on Digital Architecture), Issue 90, 2004.

‘Forecast - Inclement’

in Contemporary Visual Arts + Culture, 34, 4, 2005.

‘The Searchers’

in Rouge 7, international online journal, 2005.  Link to The Searchers, Rouge 7 

‘Expressions of Australian Graphic Design’ (written with Andrew Barnum) 

in Open Manifesto 2, Sydney, 2005.

‘A Forest. A Clearing’in IM Interactive Media 2,  2006, National Academy of Screen and Sound (NASS), Murdoch University, Western Australia, 2006.

‘Ghosts of a Better Tomorrow: Looking Back at the Formalism of Late 1980s Film Workshop Productions’

in Continuum: Journal of Media and Cultural Studies, 20, Routledge, 2006.

‘Parabolic by Design: Two different but related visions from early twentieth-century Sydney’, 

in Meanjin, Vol. 65, No. 2, 2006.

‘Places Past Disappearance’ 

in Transformations: Making Badlands, 13, 2006.

‘Subtropical Rock: Rediscovering Ed Kuepper and the Saints’

in Meanjin, Vol. 65, No. 3, 2006.

‘The Rise of Digital Multimedia Systems’

in Cultural Studies Review, Vol. 12, No. 1, 2006.

‘Palpable History’,  

in Cultural Studies Review, March 2008.

‘Event Grammar’

in Meanjin Vol 68, No2, Winter 2009.

‘Extractive Realism’

in Australian Humanities Review 47, 2009.

‘Accident Music’, 

in Law Text Culture, Vol 13 No.1, 2009.

‘Forensics and Poetics’, 

in Law Text Culture, Vol 13 No.1, 2009.

‘The Given World’ (co-authored with Stephen Loo),

in IDEA Journal, 2009.

2010s

‘The Known World’ in Text Journal  Special Issue, 2010

http://www.textjournal.com.au/speciss/issue8/Gibson.pdf 

'Intimacy' 

in Cultural Studies Review, Vol. 16, No. 1, 2010.

‘All Things are in Contact’ 

in Rethinking History: The Journal of Theory and Practice, Volume 14 (4), 2010.

‘What the eye can hear’ 

in Journal of Australian Studies,Vol. 35, Issue 2, 2011.

'The Flood of Associations'

in Memory Studies, 6 (3) July 2013.

'Large Screens and the Transnational Public Sphere' Co-authored with N Papastergiadis, S McQuire et al,

in Proceedings of the 19th International Symposium of Electronic Arts, (ISEA 19), Sydney, 2013.

'On the Senses and Semantic Excess in Photographic Evidence' 

in Journal of Material Culture, 18 (3) September 2013. 

'Contemporary Art and the Noise of Tending'  Co-authored with Caleb Kelly (UNSW),

in INTERFERENCE: a journal of audio culture, Issue 3, November 2013.

'Mega Screens for Mega Cities', Co-authored with N Papastergiadis, S McQuire et al

in Theory, Culture & Society, Vol. 30 (6), November 2013. 

'Looking  Thinking  Acting' 

in Humanities Australia (Annual Journal of the Australian Academy of Humanities), edited by Elizabeth Webby, No 4, 2013.

'Translating Gesture in a Transnational Public Sphere'  Co-authored with N Papastergiadis, S McQuire et al, 

in Journal of Inter-Cultural Studies, Vol. 35 (4), July 2014.

‘Narrative Hunger: GIS mapping, Google Street View and the colonial prospectus’ 

in Cultural Studies review, 20.2,  2014.

'Wayfaring Strangers: reflections on an artistic investigation of mood in online mapping', 

in Postcolonial Studies, 17.3, 2014.

'Who Knows the Weather: the memory of Greg Dening' 

in The Melbourne Historical Journal, 43.1, 2015.

'Cast Against Type' 

in Interventions Journal of Postcolonial Studies, 17.2 Special Issue on Typologies, 2015.

'Dynamic Poetry for Electronic Screens' 

in AXON, Capsule 1 Special Issue on Poetry on the Move, 2016.

'Riding with the Mobile Oneiric Combinator” poetic techniques using Google Streetview' 

in Westerly Journal May 2016.

'The Maslyn Williams Network' (co-authored with Deane Williams) 

in Critical Arts, 31.5, 2017.

'Walking through Words' 

in AXON, 7.2 Special Issue on Contemporary Boundary Crossings, 2017.

‘Bluster Town’ (animated text/audiovisual poem)

in JASAL Vol1 No 18 (2018) Issue 1

'Violence Covers Them As A Garment' (non-traditional research outcome) 

in AXON, 8.1 Special Issue on ‘Materiality, Creativity, Material Poetics’, 2018.

'Unloreful' 

in Text Journal, 22.1, 2018.

'Flow Charts: Alexandria' 

in Sydney Review of Books,  June 2018.

'Of Time and the City: craft culture in Kyoto' co-written with Kathryn Bird 

in Garland 13 - Japan - The Craft Experience,  commissioned quarterly essay, September 2018.

'Narrative and Dramaturgy in Emergency Situations' (co-authored with T Crea and G Chambers) 

in AXON, 8.2, November 2018.

'The Cone of Silence' co-written with Nick Keys 

in Sydney Review of Books,  May 2019.

‘Accounting for Creative Arts Research’, with Jen Webb, 

in N/TRO: nontraditonal research outcomes, June 2019; see https://nitro.edu.au/articles/2019/6/7/accounting-for-creative-arts-research

'Breaking through the Lines' 

in Sydney Review of Books,  August  2019.

'Burn, Lucky Country, Burn' 

in Sydney Review of Books,  March  2020.

Creative writing ekphrastic essays

'Back and Forth' - a response to a pair of artist books, (a creative writing ekphrastic essay)

in Art and Australia, Vol 49, No 1, 2011.

'Blustertown' (a creative writing ekphrastic essay)

in Cordite Poetry Review, May, 2012  

http://cordite.org.au/ekphrasis/blustertown/

'Small To Medium Enterprise' (a creative writing ekphrastic essay), co-authored with Gary Pumfrey

in Cordite Poetry Review, April 2013  

http://cordite.org.au/ekphrasis/small-to-medium-enterprise/

'Get Away', (a creative writing essay) 

written for the official catalogue of the University of Queensland Art Gallery Museum exhibition Return to Sender, 2012. 

'Collision Course' (a creative writing ekphrastic essay)

in Southerly: Journal of the English Association,Vol 72 No.2 2012 

'The Pulse in the Pictures', (a creative writing ekphrastic essay)

in NEWSWRITE: journal of the NSW Writers Centre, April 2013.

Poetry (see also Ross's books of poetry in the books section)

Two Poems: “Stuart Highway Rhapsody” & “Breezeway” 

in Westerly Journal, May 2016.

‘SYDNEY sometime last week’ (a long poem), 

in CITIES: ten poets, ten cities, edited by Paul Hetherington and Shane Strange. Canberra: Recent Work Press, 2017.

'Bluster Town' (an animated video-poem) 

in Journal of the Association for the Study of Australian Literature, Vol. 1, No. 18, 2018.

'Violence Covers Them As A Garment' (a long poem) 

in AXON, 8.1 Special Issue on ‘Materiality, Creativity, Material Poetics’, 2018.

‘Wimmera Reckoner’ (a long poem), 

in Western Humanities Review 72.1 (Spring) 2018.

'Holding Pattern' (a video poem), co-authored with Chris Abrahams, 

in Cordite Poetry Review (Online) November, 2018

http://cordite.org.au/artworks/holding-pattern/

'It is Happening Again' (a video poem), co-authored with Chris Abrahams, 

in Cordite Poetry Review (Online) November, 2018

http://cordite.org.au/artworks/it-is-happening-again/

'Elsewhere', 

a catalogue-essay for Elsewhere, edited and curated by Martyn Jolly, the Australian Centre for Photography and the Biennale of Sydney, 1986.

'The Body on the Bed', 

in The ID Show, The University of Tasmania, Hobart, 1987.

'Elsewhere, Today', 

for ELSEWHERE, edited by Iwona Blaswich, London: Institute of Contemporary Art, 1988.

'I Used to Speak French', 

for MIMA Experimenta 1988 Catalogue, edited by Anne-Marie Crawford and Adrian Martin, Melbourne: MIMA, 1988.

'True Irresponsibility'

for PARACULTURE, edited by Sally Couacauld, Artspace (Sydney) and Artists Space (New York City), 1990.

Catalogue essay for The Lie of the Land, an exhibition by the Power House Museum and Ideas for Australia, February, 1992.

'A Constellation of Options'

catalogue essay for Art Gallery of Hew South Wales, Starlite Exhibition by Debra Dawes., Art Gallery of NSW, 1993.

‘Ghosts of a Better Tomorrow’

catalogue for a season of Hong Kong Cinema at the Museum of Contemporary Art, Sydney, 1993.

'Inner Land'

catalogue introduction for Inner Land, Art Gallery of New South Wales, 1993.

'Privacies Made Public'

catalogue introduction for the Places of Memory, Museum of Sydney, 1996.

‘Step into the Light’, 

catalogue essay for Space Odysseys/Deep Space, Art Gallery of NSW and Australian Centre for the Moving Image, 2001.

‘Cultural Forms for Volatile Times’, 

catalogue essay for Morphologies, Artspace (Sydney) and Ivan Dougherty Gallery, 2001.

‘Time Being’, 

catalogue essay for Future Factor, Crafts Queensland, 2001.

‘Debra Dawes – “Clock Wise”’, 

catalogue essay for Debra Dawes 2004, Gallery Barry Keldoulis, Sydney, 2004.

‘Street X-Rays’ 

for PROOF: the act of seeing with one’s own eyes, edited and curated by Mike Stubbs, Melbourne: Australian Centre for the Moving Image, 2004.

‘Written With Darkness’, 

in Written With Darkness: photographs from the Corrigan Collection, UTS Gallery, Sydney, 2004.

‘Inside Outside’ 

for Mirror States, edited by Kathy Cleland and Lizzie Muller,  Auckland MicToi Rerehiko and Sydney Campbelltown Arts Centre, 2008.

‘K2-02’ 

for K2-02, edited by Mary Knights, Art Gallery of The South Australian School of Art, 2009.

‘North on Trouble Road’ 

catalogue essay for Julie Gough’s solo exhibition ‘Rivers Run’ at Cairns Regional Gallery, 2010.

‘No Sense of an Ending’ 

for the group exhibition ‘Journeys’ curated by Paul Zika at the University of Tasmania Plimsoll Gallery, 2011.

‘Andrew Hazewinkel’, 

for THE NATIONAL exhibition at Art Gallery of New South Wales, March 2019 https://www.the-national.com.au/artists/andrew-hazewinkel/the-ongoing-remains/

‘Ruin Value: time and David Claerbout’s OLYMPIA’, 

for the Samstag Museum of Art & The Adelaide International Biennale of Art, Adelaide, 2020.